Critics’ Picks: March 7-13, 2014
Los Angeles Times entertainment, arts and culture critics choose the week’s most noteworthy openings, new releases, ongoing events and places to go in and around Southern California.
This week, our movie critics recommend a new comedy import from India and look back at a favorite Oscar also-ran. In music, the West Coast is ripe with Verdi’s operas. A downtown L.A. restaurant offers fine French cuisine and, speaking of France, our fashion critic recommends an exhibition in Paris. And if you’re staying home, Cicely Tyson stars in the TV movie “The Trip to Bountiful.”
Click through to explore more and, where applicable, find directions to venues.
Oscar also-ran ‘American Hustle’
This is the weekend people are usually encouraged to go see the Oscar winners they missed during the lead-up to last Sunday’s awards show. Not me. I say make time for the Biggest Loser: “American Hustle.” Boo, academy. The film went into the night with 10 nominations and walked out with zero — disappointing for such zany, smart fun. On the surface, director David O. Russell’s latest is about a ‘70s con within a con game. Yet the plot really spins around the flawed nature of human dynamics. Christian Bale’s con guy, Amy Adams as his partner/lover, Jennifer Lawrence as the scorned wife and Bradley Cooper’s overly ambitious FBI agent are the primary work force. Within each character, Russell has dropped a specific nugget of vulnerability. As the cons unfold, those weak spots drive each of them toward that brick wall of big mistakes. All the clever observations about egos are wrapped in a fabulous period look and set to music that carries its own subtle commentary. Read more
A warm and affectionate human comedy from India that is charming in a delicate and unforced way. Mixing a love of food with stronger emotions, it succeeds by leavening its simple story of mistaken identity with neo-realistic observations of ordinary middle class life in Mumbai and environs. (Kenneth Turan) (In Hindi and English, with English subtitles) Read more
'12 Years a Slave'
When a director who never ever blinks takes on a horrific subject, a nightmare in broad daylight is the inevitable result. Welcome, if that is the right word, to the world of "12 Years a Slave." Based on an 1853 memoir detailing the appalling experiences of Solomon Northup, a free man of color who was brazenly abducted and sold into slavery, this film intends to do more than tell us a story. It wants to immerse us in an experience, and it does. Obviously, no film can re-create the unspeakable degradation of one human being owning another, but in making the attempt "12 Years" insists we feel things in a particularly oppressive way. This is impressive filmmaking, but it is not easy to take in. (Kenneth Turan) Read more
With a cool, contemporary spin on a fairy-tale classic, a dramatic Nordic landscape animated in splendid storybook style and Broadway vets belting out power ballads, “Frozen” is an icy blast of fun from the very first flake. Kristen Bell and Idina Menzel star in this sisterhood saga loosely based on Hans Christian Andersen’s “The Snow Queen.” Filled with heart and heart-stopping action, it also has a playful sense of humor. The 3-D effects are killer, the music soaring. In fact, there are so many good reasons to see “Frozen” that I can’t begin to count them all. (Betsy Sharkey) Read more
There is a naturalistic charm to the truth-telling going on in "Gloria," Chilean director Sebastian Lelio's near-perfect film about the very imperfect world of a divorced woman of a certain age. Starring the incomparable Paulina Garcia in every scene — every single one, no exaggeration — the film settles comfortably between romantic comedy and drama. Perhaps the better way to characterize it is affectionately ironic love story. A quick series of scenes set the pace for a film that keeps moving its characters through various emotional phases. It doesn't take long to get a sense of Gloria and what she's up against. (Betsy Sharkey) Read more
Words can do little to convey the visual astonishment this space opera creates. Directed by Alfonso Cuaron and starring Sandra Bullock as an astronaut in trouble, this is a film whose impact must be experienced in 3-D on a theatrical screen to be fully understood. (Kenneth Turan) Read more
'The Great Beauty'
As its name promises, this is drop-dead gorgeous moviemaking, a film that is luxuriously, seductively, stunningly cinematic. But with the great actor Toni Servillo on his team, larger questions of meaning in life turn out to be on director Paolo Sorrentino’s mind. In Italian with English subtitles. (Kenneth Turan) Read more
Spike Jonze has a knack for disturbing our peace, and his new film "Her" does that with a vengeance. A different and daring futuristic tale starring Joaquin Phoenix and Scarlett Johansson, "Her" is a look at the pleasures and perils of new technology that's a smart entertainment and a subtle warning, a love story and a horror show. Acerbic, emotional, provocative, it's a risky high dive off the big board with a plot that sounds like a gimmick but ends up haunting, odd and a bit wonderful. Previously responsible for the singular "Being John Malkovich" and "Adaptation" as well as the self-indulgent "Where the Wild Things Are," Jonze is a director who goes his own way with ideas no one else could have imagined. With "Her," Jonze for the first time has sole writing credit. He not only came up with a killer idea, he's had the nerve to go all the way with it, to tease out multiple implications of his lightly dystopian "what if" plot all the way to the unforeseen but perfectly logical denouement. (Kenneth Turan) Read more
'The Lego Movie'
"The Lego Movie" is a massive collision of subversive humor, hyper-kinetic energy, mind-jangling design, spinning colors and about 15 million Legos, no exaggeration. It is tempting to use the movie's pounding pop anthem — "Everything Is Awesome" — to put this insane sensory experience into sound-bite perspective. It helps that the cast — including Chris Pratt, Elizabeth Banks and Will Ferrell — knows precisely how to play with a good line. The result is strikingly, exhilaratingly, exhaustingly fresh. Not plastic at all. (Betsy Sharkey) Read more
Director Peter Berg's hard-charging war drama starring Mark Wahlberg, Taylor Kitsch, Emile Hirsch and Ben Foster is very much about the physical damage wrought by fierce, face-to-face combat. It is also a movie about the unexpected humanity that finds a way to exist even when battle lines are drawn. The film is loosely based on a 2005 special ops mission in Afghanistan that went terribly wrong, and the unraveling begins when the operation's leader, played by Taylor Kitsch, makes a controversial decision to release a trio of unarmed goat herders. That one act of decency, and in line with military code, leads to a disaster for the men as Taliban rebels are soon alerted and shooting. But the decency theme doesn't end there. The survivor of the skirmish, Wahlberg's Marcus Luttrell, is close to death when he's found by a Pashtun villager. Gulab (Ali Suliman) defies the Taliban at great risk to save the soldier. So while the warfare is visceral, violent and in the trenches, there is also a great heart at work in the film and hope in the humanity Berg exposes alongside the bullet wounds. (Betsy Sharkey) Read more
It's the letter everyone's received. The one that gets your attention by saying you've won a million dollars but is actually all about selling magazine subscriptions. But what if someone truly believed they'd won that million? And what if that individual was your crabby, cranky and cantankerous father and he insisted on going to prize headquarters to collect his money? In person. That, in a nutshell, is the premise of Alexander Payne's poignant and ruefully funny "Nebraska." But summations can't convey the filmmaking delicacy that marries tart-tongued comedy with unexpected warmth in a story that touches on family, memory, getting old and staying alive. Plus allowing 77-year-old Bruce Dern the opportunity to give the performance of a lifetime. (Kenneth Turan) Read more
If you missed the very fine, fine-art documentary "Tim's Vermeer" during its brief stop last month, it is back in town for its official run. Director Teller (better known as the droller half of the ironic comedy/magic team Penn & Teller) follows inventor Tim Jenison's journey to understand how the 17th-century painter Johannes Vermeer tripped the light so fantastically. A tale of art and obsession unfolds as Jenison experiments with various optical techniques Vermeer might have used to achieve his luminous interplay of light and shadow. As intriguing as the question is the way Jenison — an engaging, curious, brainy fellow — answers it, meticulously replicating everything from the brush strokes Vermeer took to the room in which he worked. Teller captures artistic creation, and appreciation, in such dynamic, beautiful detail it begs to be seen on the big screen. (Betsy Sharkey) Read more
Hayao Miyazaki's 'The Wind Rises'
The final film from the great Japanese animator Hayao Miyazaki, inspired by but not limited to the life of brilliant aircraft designer Jiro Horikoshi, is quintessentially his: stunningly beautiful and completely idiosyncratic. (Kenneth Turan) Read more
'The Wolf of Wall Street'
Think you already hate those Wall Street high rollers who took so many investors for a ride in the '90s? Just wait until Martin Scorsese, Leonardo DiCaprio and "The Wolf of Wall Street" are through with you. Man, does this movie have a savage bite. Yet it is such a kick to watch the filmmaker and the star in their fifth collaboration. They go at the black-hearted comedy full throttle, fully tanked and, for DiCaprio, full monty — almost. The script by Terence Winter stays close to Jordan Belfort's audacious 2007 memoir of his highly leveraged life. Scorsese adopts the former stockbroker's irreverent tone, then amps it up so that the film fairly crackles with electricity from beginning to end. A very fast three hours, "Wolf" is a fascinating, revolting, outlandish, uproarious, exhilarating and exhausting master work on immorality. (Betsy Sharkey) Read more
‘The Trip to Bountiful’
There are few roles that allow women of a certain age to display the symphonic skill it takes a lifetime to acquire, and fewer still that exist outside the realm of high-drama one-woman shows. But there is Horton Foote’s lovely and lyrical tale of Carrie Watts, a woman obstinately battling the restrictions of age and dependency to return to visit her hometown of Bountiful once more before she dies. Written in 1953 as a teleplay, “The Trip to Bountiful” originally starred Lillian Gish. In 1985, it became a feature film starring Geraldine Page, who won an Oscar. Last year, Cicely Tyson took Carrie to Broadway and won a Tony. This year, Tyson and some of her supporting Broadway cast bring the story back to television roots on Lifetime. Lifetime, Saturday. Read more
If you missed the French series "The Returned" on Sundance last year, or if it was just too mood-soaked for you, check out the brighter, faster-paced American version of a world in which the dead begin returning to the ones they left. Based on the novel "The Returned," the series opens gorgeously with a young boy (Landon Giminez) waking up in a rice paddy in China. The boy has no idea how he got there and with no clue but the sports team identified on his T-shirt, immigration officer Martin Bellamy ("House's" Omar Epps) traces him to the sylvan town of Arcadia, Mo., where he takes the boy, who says his name is Jacob, to the house he identifies as home. There an older couple, Henry (Kurtwood Smith) and Lucille Langston (Frances Fisher), react first in anger — their son Jacob drowned 30 years ago — then in shock; this Jacob appears in every way to be their son at the age he died. And Jacob is not alone. One by one, the dead arrive, as dazed and apparently confused as the living to whom they return. (Mary McNamara) (ABC, Sundays) Read more
Thanks to Acorn TV's streaming services, American audiences can finally (legally) see the best "game show" on television, a heady combination of wit, trivia and sheer silliness. The redoubtable Stephan Fry acts as host, posing a series of "Quite Interesting" questions (each season is based on a letter of the alphabet; the show is up to "K") to permanent sidekick Alan Davies and an ever-shifting panel of U.K. notables. Comedians (Bill Bailey! Jo Brand!), TV stars (David Tennant! Hugh Laurie!) and movie stars (Emma Thompson!). The result is hilarity, more than a little nifty cocktail party knowledge and, in a few priceless episodes, the sight of Fry collapsing into a fit of giggles. (Mary McNamara) (www.acorn.tv, anytime) Read more
'True Detective' season finale
HBO's first anthology crime series comes to its first-season close, and if we don't find out who, or what, the "yellow king" is, well, Ellen isn't the only one who can shut down Twitter. The flash-back, flash-forward tale of two homicide detectives who may or may not have solved a serial murder case years ago, which may or may not be repeating itself in a way that may or may not involve one of the detectives, has an awful lot to do in one hour. As in, it needs to explain what the previous seven have been about. Besides, of course, the brilliant performances of Woody Harrelson and Matthew McConaughey, which are clearly the reasons HBO agreed to add to the already very overstocked "tortured detective" genre. As frustrating as it is admirable, as ponderous as it is poetic, "True Detective" really will prove itself in the final analysis. If the story doesn't wrap up with some really big and tricky reveal, it's going to take a beating on the blogs. (Mary McNamara) (HBO, Sunday) Read more
‘The Winter’s Tale’
The difficulty of staging “The Winter’s Tale” is legendary. Characters are at the mercy of a crazy plot that wildly mixes genres and tones, there is a leap of 16 years between the third and fourth acts and one stage direction (perhaps the most famous in all of Shakespeare) reads “Exit pursued by a bear.” In making his directing debut at the Old Globe with this late romance of Shakespeare’s, artistic director Barry Edelstein clearly isn’t playing it safe. But he knows the play intimately, having staged it off-Broadway at the Classic Stage Company, and in this new production he has enlisted a core group of actors who bring refreshing clarity to what is undeniably a tricky text. Best of all, the emotion of this play about a marriage mangled and restored, children rejected and embraced, and loved ones bitterly parted and reunited is powerfully delivered. Ends Sunday, March 16. Read more
Guillermo Cienfuegos stages Shakespeare's great military play, in which the dissolute Prince Hal transforms himself into the triumphant commander of the Battle of Agincourt, in the Pacific Resident Theatre's black-box space, with no set, no costumes, one prop (a cheap crown), and one completely unexpected and magical special effect. The spare, stripped-down staging brings the thrilling story vividly to life. Joe McGovern, who co-adapted the text with Cienfuegos, stars as a charismatic, punk-rock Henry V; and the radiant Carole Weyers, in only her second Los Angeles stage role, lights up the whole room as his French princess, Katherine. (Margaret Gray) (Ends Sunday, July 20) Read more
'My Name Is Asher Lev'
"Every great artist has freed himself from something — his family, his nation, his race," warns the worldly mentor to an aspiring painter in Chaim Potok's semi-autobiographical novel, "My Name Is Asher Lev." As the Fountain Theatre's affecting L.A. premiere of Aaron Posner's three-actor stage adaptation eloquently illustrates, the greater the artist, the more painful sacrifices that separation entails. Posner's script skillfully retains the book's introspective narrative voice, philosophical insights and essential plot points, as its title character (played with convincing passion by Jason Karasev) wrestles with conflicted loyalties between his deeply-held Jewish faith and his artistic gift. (Philip Brandes) (Ends Sunday, May 18) Read more
'Aspirin & Elephants'
Despite some formulaic aspects, this smooth 25th anniversary revival of Jerry Mayer's boulevard comedy about inter-generational marital issues on a cruise ship is a surefire date show, high-end sitcom with flashes of emotional heft. Original director Chris DeCarlo adroitly revisits the old-school material, which his accomplished cast deftly puts over. (David C. Nichols) (Ends Sunday, March 16) Read more
This latest entry from the matchless Quebec-based franchise nominally concerns the evolution of mankind. Yet in the masterful hands of writer-director Robert Lepage, a mesmeric creative team and 46 Olympic-worthy athletic artistes, it's really about transformation in totum, not to mention humanity's determination to achieve superhuman feats. It's why we love Cirque du Soleil, and always will. (David C. Nichols) (Ends Sunday, March 16) Read more
'Vanya and Sonia and Masha and Spike'
Rarely has middle-aged despair over dashed dreams and squandered hopes been put to more hilarious effect than in Christopher Durang's giddy farce on Chekhovian themes that won the Tony for best play last year. The show, directed by David Hyde Pierce following Nicholas Martin's Broadway staging, stands as a shimmering example of an out-of-town production improving the touted original. The secret to this success is the casting of Christine Ebersole in the role of Masha, the aging diva actress who returns to her boring but bucolic family homestead towing her new boy toy, Spike (David Hull), and throwing her woebegone siblings, Vanya (Mark Blum) and Sonia (Kristine Nielsen), deeper into midlife crisis. The entire cast is comic bliss. (Charles McNulty) (Ends Sunday, March 16) Read more
The celebration of the bicentennial of Verdi’s birth in October brought an abundance of opera productions everywhere. But if things have gotten back to normal in the rest of the operatic world, Southern California, up and down the coast, has suddenly become the new late-winter Verdi resort. Santa Barbara Opera this weekend picks up San Jose Opera’s recent production of “Falstaff.” Meanwhile, San Diego Opera opens a new production of “Un Ballo in Maschera” featuring two big name singers — Polish tenor Piotr Beczala and American mezzo Stephanie Blythe. Read more
Album: ‘Let’s Fly a Kite’
A lovely record about the heart, children, commitment, joy and other Saturday afternoon-style pleasures, “Let’s Fly a Kite” presents Los Angeles singer-songwriter Eleni Mandell at her lyrically precise best. Nick Lowe’s backing band on the standard guitar, keyboards and drums employs a tasteful array of instruments — vibraphone, flugelhorn, violin and trumpet — to craft sophisticated but playful parlor music. “Little Joy” is one of the most loving songs to a child you’ll hear this season (Mandell is the mother of toddler twins). “Maybe Yes” takes a stand against ambivalence in a delicately expressed work that outlines reasons why “maybe” won’t cut it. Here and throughout “Kite,” Mandell’s wonderfully direct: “Maybe doesn’t turn me on/ Maybe’s not filet mignon/ If your answer’s ‘I don’t know’/ Maybe I will let you go.” Read more
Pop music critic
Album 'Blank Project'
"Good things come to those who wait," Neneh Cherry sings over stormy electronics and a skittering rhythm on her first solo album in 16 years. If there's a lingering take-away from "Blank Project," that's it. Cherry, whose breakout hit "Buffalo Stance" was practically inescapable in the late '80s, left music for years before reemerging with "The Cherry Thing" in 2012. A brash stab of skronky jazz-punk that paired Cherry's soulful vocals with a blustery Scandinavian saxophone trio, the record was one of the year's best. Here Cherry proves that comeback was no fluke. (Chris Barton) Read more
Album: 'Blue Film'
Lo-Fang is the pseudonym of Matthew Hemerlein, a singer and pop composer who wrote, recorded and played all the instruments on this debut. Drawing on digital R&B, modern pop, "Kid A"-era Radiohead and electronic music, he presents three- and four-minute song bursts that are tightly structured but labyrinthine in detail. "When We're Fine" floats on a digital loop, a tiny-but-mighty rhythm, backward-spinning bleeps and bloops and a catchy chorus. An early contender for debut of the year, "Blue Film" comes out Feb. 25. Lo-Fang goes on tour with his most famous fan, Lorde, this spring. Highly recommended. (Randall Roberts) Read more
Album: 'The Invention of Animals'
Looking back from the fragmented media landscape of 2014, it's hard to imagine someone like John Lurie was ever possible. An immediately recognizable character actor who appeared in landmark indie films including Jim Jarmusch's "Down by Law" and "Stranger Than Paradise," Lurie was also a brilliant saxophonist who helped push the boundaries of jazz in the '80s and '90s with his band, the Lounge Lizards. But Lurie was forced to give up music and acting after being stricken with advanced Lyme disease and has since switched to painting (his work has been exhibited numerous times and was collected in a 2007 book, "A Fine Example of Art"). Lurie's low profile in recent years is also because of significant trouble with a stalker — a situation that was examined in a 2010 New Yorker profile (the facts of which Lurie has vigorously disputed). Still, he recently ventured back into the public eye with "The Invention of Animals," a new set of live tracks and rarities by the John Lurie National Orchestra, his trio with drummers Calvin Weston and Billy Martin of Medeski Martin and Wood. (Chris Barton) Read more
Album: 'Gathering Call'
You can't talk about drummer Matt Wilson without talking about swing, that pulse of jazz that's been his specialty on more than 250 recordings as a sideman. Reconvening his longtime quartet, Wilson again shines with some unexpected help in keyboardist John Medeski. Often lumped into some jam-band ghetto for his ventures with the avant-funk trio Medeski Martin and Wood, Medeski's talents have long been harder to pigeonhole, including a contemplative solo record in 2013. Here, he's a precisely moving part on an album that should be mandatory listening for traditionalists and jazz-curious Phish-heads alike. (Chris Barton) Read more
Claudio Abbado Recordings
When Claudio Abbado, the revered Italian conductor who died Monday, turned 80 last summer, record companies celebrated with several super-sized box sets of his recordings and videos. It's not hard to find discs with which to spend the weekend remembering one of the greats. Abbado's career was a grand one, fairly well documented. He headed and/or recorded with the Vienna Philharmonic and Berlin Philharmonic, with the London Symphony and Chicago Symphony, with the Vienna State Opera and La Scala. His interpretations of the 19th-century masters – Beethoven, Brahms, Schumann, Mendelssohn, Bruckner, Mahler, Verdi, Rossini – are exquisitely accomplished. Abbado was a polisher and took no note for granted. But sometimes his mid-career recordings can sound almost too reliable. It's the vibrant early and the masterly moving late performances that really shine, as well as the more offbeat. (Mark Swed) Read more
Box set: The Rise and Fall of Paramount Records 1917-1932
The ambitious new set "The Rise and Fall of Paramount Records 1917-1932, Volume 1" comes packaged in a sturdy wooden suitcase dubbed "The Cabinet of Wonder," an apt title considering the awe-inducing sounds and history it resurrects. A label whose ragtag story stars two white Wisconsin business partners more concerned with record player sales than music, an A&R man whose race and history as a Chicago bootlegger (and ex-pro football player) allowed him access to the clubs where unrecorded talent gigged and a roster of artists with equally fascinating biographies, the Paramount and affiliated labels' output during its 15-year life comprises more than 1,600 songs. They were released through a subsidiary of a Port Washington, Wis.-born furniture company during the rise of the phonograph era. (Randall Roberts) Read more
Album: 'Coin Coin Chapter Two: Mississippi Moonchile'
Matana Roberts does not make easy listening music. Although in mainstream culture jazz is frequently relegated to an awards show backdrop or an oh-so-spooky bit of shading for pay-cable political dramas, the music remains a springboard into avant-garde expression for this Chicago-born saxophonist, who explores both personal and social history on "Coin Coin Chapter Two: Mississippi Moonchile." A challenging, engrossing listen that follows her ambitious "Chapter One" from 2011, this 49-minute piece (broken into 18 seamless tracks) continues Roberts' synthesis of free improvisation and spoken word into a unique, shape-shifting compositional voice that she calls "panoramic sound quilting." Where Roberts' last record could be tumultuous with passages of fiery blowing offset by a big band drive, "Mississippi Moonchile" is a swirling celebration of smaller-ensemble free jazz. (Chris Barton) Read more
Album: 'Inside Llewyn Davis' Soundtrack
A single song bookends "Inside Llewyn Davis," the new film from Joel and Ethan Coen about a week in the life of a struggling singer in the New York folk scene of the early 1960s. It's a gentle guitar ballad starring a dangling noose called "Hang Me, Oh Hang Me," and its best-known version is by the late Dave Van Ronk, a towering singer whose recollections of Greenwich Village during the folk boom informed the narrative. In its opening scene, the movie focuses on the song as performed by the titular Davis, played by actor and musician Oscar Isaac. Shot in intimate close-up as he sings and picks on an acoustic guitar in a Village coffeehouse, the rendition introduces the character through lyrics about a man staring across an abyss. (Randall Roberts) Read more
Album: 'Holding It Down'
If there's any one thread running through today's pop music, it's the amazing ability for most songs to be about absolutely nothing. Despite scores of crises around the world, the biggest hits of the summer (i.e. "Get Lucky" and "Blurred Lines") are party-ready, escapist marshmallow fluff. The year's revolving door of package music festivals — events once at least peppered with voter registration and social outreach booths — mostly exist as target marketing efforts and a means of giving music fans the sunny feeling of how wonderful it is to attend a music festival. At their best, hip-hop and jazz remain most adept at breaking the mold, and the footprints of both genres can be heard on Vijay Iyer's and Mike Ladd's inspiring new album. An ambitious collaboration between one of the most celebrated jazz pianists today in Iyer and poet-MC Ladd, who has worked with a host of underground rap acts including El-P's Company Flow and Saul Williams, "Holding It Down" is the duo's third in a series of unclassifiable blends of music, theater and spoken word that paint a vivid oral history of post-9/11 America. (Chris Barton) Read more
Album: '12 Stories'
This has been a great year for women's voices in contemporary country music, starting with the auspicious debut album from Kacey Musgraves in March and ramping up now with an even bolder new arrival, Brandy Clark. The question out of the gate is whether she'll be heard amid the parade of frat boy country dominating the airwaves with cliche-ridden songs of tailgate parties by the swimming hole populated with sexy babes in their Daisy Duke shorts. Never mind that — find this record and listen to a dozen dazzlingly witty and insightful takes on the struggles of the working class ("Pray to Jesus"), neglected and/or mistreated women ("Crazy Women," "The Day She Got Divorced"), the battle between right and wrong ("What'll Keep Me Out of Heaven") and the pros and cons of chemical mood enhancers ("Hungover," "Get High"). (Randy Lewis) Read more
It can be a delicate thing, honoring jazz history. On one hand, you might lose count when trying to tally the many tribute concerts and reissues dedicated to an artist like Miles Davis, but on the other, no other music carries such a vital link to its past like jazz. Take, for example, the continuation of jazz tradition that is "Tootie's Tempo," a gorgeous showcase for 78-year-old drummer Albert "Tootie" Heath, who can be heard on recordings from one side of jazz tradition to the other with the likes of Lester Young, John Coltrane, Anthony Braxton and Herbie Hancock. Backed by a pair of talented artists from this generation in the Bad Plus' Ethan Iverson and in-demand bassist Ben Street, the record is a study honoring tradition even while maintaining a sharp focus on forward motion. (Chris Barton) Read more
Album: 'Psychic Temple'
As has been thoroughly documented, the past decade or so has not been easy for independent musicians, particularly for those with a taste for venturing outside typical bounds of rock and pop. Consider producer-musician Chris Schlarb, who at 36 years old has a wife, two kids and a full-time job as a short-haul truck driver that carries him around Southern California. “I’ve been working there off and on for about 10 years and what I’ve found is it ... allows me to think about music all day,” Schlarb said, speaking by phone while driving home in Long Beach. “Because I could -- and often do -- just turn the radio off and if a melody comes to me I can sing it into my phone. It allows me the freedom of thought, which is so important to me because my mind is always going.” In between job and family obligations, Schlarb also ran the indie label Sounds Are Active (which has released albums from local explorers Nels Cline and Anthony Shadduck), wrote the music for the Nintendo 3DS game “NightSky” and as well as recording on his own and as part of the experimental-jazz duo I Heart Lung. (Chris Barton) Read more
Church & State
Most people with even a passing interest in local cooking have visited Church & State since it opened half a dozen years ago, a ground-level bistro on the ground floor of an old Nabisco factory, known for bringing dim lighting, expressive cocktails and Alsatian tarte flambée to a part of downtown then better known for illicit commerce than for kitchens serving blanquette de veau. Its first year or so saw a restaurant perhaps more centered on the cocktail trade than it was on the world of cuisine beyond steak-frites and chocolate mousse. Walter Manzke took over the stoves for a while, fresh from his term at Bastide, and he took the restaurant in the direction of southern France, inflecting his savory tarts with herbs and summery vegetables (or even Époisses cheese), cooking his deeply flavored short ribs sous-vide and plucking live spot prawns from a tank before sizzling them with garlic and burying them under drifts of diced cucumbers. Manzke had a pretty spectacular run for a guy whose signature dish was probably fried pig’s ears. Read more
Without putting too fine a point on it, the pizza at Settebello is closer to real Naples pizza than anyplace that has ever existed in Los Angeles: 00 flour, San Marzano tomatoes, bufala mozzarella, olive oil from Campania, and a trip through the 900-degree domed wood-fired oven that typically lasts no more than a minute, minute and a half. Whether the soft, thin, sparingly topped pizza is your thing or not is a different question — a lot of people prefer heft and crunch — but the pizza from the Las Vegas-based chain might do fairly well if it were plunked down on Spaccanapoli. Read more
On a warm January night in Los Angeles, one of those evenings when we have trouble visualizing what the phrase "wind-chill factor" might even mean, the patio outside Maccheroni Republic is one of the most pleasant places downtown, a long, alley-narrow space, all greenery and soft air. The financial district's glass towers peeking out over the shrubbery is a distant part of the view. The restaurant is on Broadway but somehow not of Broadway, although Grand Central Market is right across the street. The downtown boom has seen a lot of Italian restaurants open in this part of the city, sleek dining rooms with wood-burning ovens, hot and cold running truffles, and rivers of expensive Super-Tuscan wine. In some parts of downtown you are never more than a few blocks from shade-grown coffee or a plate of wood-roasted pigeon. But Maccheroni Republic isn't a temple of cuisine, it's a trattoria — the kind of place where it is possible to go for both lunch and dinner on a single day, a restaurant where waitresses race down the aisle with four identical bowls of rigatoni with eggplant. Read more
A lot of chefs in Los Angeles are associated with a favorite ingredient in ways that seem fairly indelible. It is hard to imagine Walter Manzke without his pig's ear, Nancy Silverton without her bread or Suzanne Goin without her short ribs. The lineage goes back at least as far as John Sedlar and tamales, Jonathan Waxman and roast chicken, and Wolfgang Puck and pizza. But until I visited Acabar, the grand neo-Moroccan lounge-restaurant in the space long occupied by Dar Maghreb, I had rarely seen a chef rub up against an ingredient with quite as much passion as Octavio Becerra shows a simple can of sardines. Read more
If a theme has emerged in Los Angeles restaurants over the last several years, from Picca and Spice Table to Lukshon, A-Frame, Rivera and Corazon y Miel, it is the idea of Asian American and Latin American chefs trained in classical European kitchens, driven to reinterpret the tastes they grew up on through rigorous French technique. This isn't fusion food, which tends largely to be the application of Asian flavors to non-Asian dishes; this is chopped-and-channeled cooking designed to heighten the original sensations, a kind of reverse colonialism of the plate. The latest anti-fusion hero on the block is Tin Vuong, chef and owner of the Manhattan Beach restaurant Little Sister, who grew up in the San Gabriel Valley, worked his way up through grand hotel kitchens and has spent the last couple of years as chef at the well-regarded Hermosa Beach gastropub Abigaile. Read more
If you dine regularly in Los Angeles' Italian restaurants, you have probably lived through the fresh-pasta wars, the head cheese skirmishes and the incursion of the massive T-bones. We have not yet quite climbed out of the charred rubble of the wood-fired pizza moment, where the mozzarella comes from buffaloes and the thermostat is always set to 800 degrees. So you may be surprised to discover that the latest battleground may be the obscure Ligurian specialty called focaccia di Recco, a stuffed flatbread from a town 20 minutes outside Genoa. Like burrata, a cheese whose fame until recently was confined to a few square miles of central Puglia, focaccia di Recco is a food whose time has come. When prepared correctly, as it is at the Factory Kitchen in the arts district east of downtown (and also at chiSpacca on Melrose), focaccia di Recco is a marvelous thing, oiled dough stretched thin as filo and folded around milky, tart crescenza cheese. Read more
Colonia Taco Lounge
Are we living in the golden age of the California taco? We may be — or at least it can seem as if we are when your tummy's full late on a Saturday night. You can find tacos here from almost every region of Mexico, from Baja sting ray tacos to Zacatecas goat tacos; from Sinaloan marlin tacos to Yucatecan tacos made with pit-roasted pork. The Colonia Taco Lounge is the newest and possibly most consequential restaurant from Ricardo Diaz, in the southwest corner of La Puente, an area not previously noted for its fine cuisine. You may remember Diaz from Cooks Tortas in Monterey Park, which was dedicated to whimsically constructed Mexican sandwiches, or from Dorado's, his ceviche bar up the street. He was one of the people behind Guisados, which introduced the Eastside to a kind of stew-based taco popular in Mexico City; he is set to open the crunchy-taco house Duro in Silver Lake, and he continues to serve the region's best guacamole, aguachile and fried huauzontle at his Bizarra Capital in Uptown Whittier. So it may come as a surprise that, unlike his other restaurants, Colonia is basically a bar — a family-friendly bar perhaps, with plenty of kids crowded in on Sunday mornings when the soccer games are on the corner TVs, but a bar nonetheless, windowless, fragrant and gloomy even at noon. Read more
If you have spent much time in L.A.'s farmers markets, you have probably run into C.J., Chris Jacobson, an affable chef, tall enough to be an NBA power forward, who seems to know every farmer in town. He worked on the line for a while at the old Campanile, where everybody called him Stretch, and he ran the Yard, a small gastropub in Santa Monica known for its beer list and fish tacos but which he managed to nudge toward fine dining at the end. As you might expect from a young Los Angeles chef, Jacobson did his time on TV, including "Top Chef." Girasol, really Jacobson's first restaurant of his own, in many ways resembles a typical Studio City place, located on a fast avenue lined with more condos than cafes, occupying a building that has been more restaurants than I can remember, in a neighborhood where the sidewalk is empty but the parking spaces are full. Read more
If you follow the restaurant scene in Los Angeles, you have known about Govind Armstrong for years, possibly since he was a teenage cooking prodigy whose mom drove him to stints on the line at the original Spago the way that other moms drive their kids to Little League practice. Or perhaps you know him from his long collaboration with locavore Ben Ford, or from his solo gigs at Table 8 and 8 Oz. Burger Bar. You may have followed Armstrong's short-lived adventure in New York, which wasn't well-received, and his appearances on "Top Chef" and on the list of People magazine's 50 Most Beautiful People. It is more likely that you noticed his restaurant Post & Beam, which he started a couple of years ago with business partner Brad Johnson and is the most ambitious restaurant ever to open in the Crenshaw District. At Willie Jane, the new restaurant he runs with Johnson on Abbot Kinney's restaurant row, Armstrong's style has become more refined yet — it's kind of a fantasy mash-up of Low Country cuisine with farm-driven California presentation, heavily reliant on the sharply tart notes that have become his trademark, and heavily reliant on Geri Miller's urban farm Cook's Garden next door. Read more
How do you know you're in a serious restaurant at the moment — a place where the chef ferments his own turnips, keeps a copy of "Modernist Cuisine" by his bedside and dreams of visiting Spain's Mugaritz restaurant? There will probably be a seaweed or two on any given plate, for the color, the crunch and the occasional spark of brininess, and bits of citrus zest will make it into places where you have never tasted citrus before. You will see at least one slow-poached egg, cooked to a perfect near-runniness at 63 degrees Celsius; top-shelf boutique greens that disappear long before you straggle into the farmers market on Wednesday morning; and a couple of flavors snagged from the bartender's cache. The presentation will be modern French, but the dishes may well be inspired by Italy, China and especially Japan, because Japanese (and New Nordic) cooking are what young chefs are crushing out on these days. Read more
Los Angeles burgers
The eyes of the world were recently focused on what surely must be the most repulsive hamburger in the history of mankind: 10,000 bits of cloned cow stem-cell tissue formed into a patty, seared in foaming butter and served to three food scientists in front of a crowd of decidedly unhungry journalists. If you would rather eat a hamburger than grimace at what your great-grandchildren might be forced to consider lunch, you can do better. Read more
101 Best Restaurants
If you take into account Los Angeles’ superb produce, its breathtaking diversity and its imagination, it can be one of the most pleasurable places to eat on Earth. What follows is a ranking of the best restaurants. How many have you tried? Where would you like to go? Create a list and share it with your friends. Read more
14 great Mexican restaurants
No places matches the breadth and depth of Mexican restaurants we have in Southern California, except Mexico City itself – and maybe not even there. You can find the cooking of almost every region in the country here, crafted at street-corner taco trucks as well as cutting-edge places like the new Corazon y Miel and Bizarra Capital. Here are Los Angles Times restaurant critic Jonathan Gold’s choices for 14 of the most essential places to try. 1. Babita: One of the most serious Mexican restaurants on the Eastside, a casual corner joint whose service is burnished to a white-tablecloth sheen. Chef-owner Roberto Berrelleza is especially gifted at the cuisine of his hometown of Los Mochis on the Sinaloa coast. Read more
‘Take It or Leave It: Institutions, Image, Ideology’
With 118 works by 36 artists, many represented by large-scale installations, the galleries are jam-packed. Sometimes it’s hard to tell where one work ends and another starts. But that mash-up seems intentional. The show charts the intersection of two genres that together gained considerable traction in the 1980s — appropriation art and institutional critique — and undermining the usual museum conventions makes a point. (Christopher Knight) (Through May 18) Read more
"#sweetjane," the newest group of drawings, video and installations by artist Andrea Bowers, takes as its emotionally wrenching subject a widely reported 2012 news story. A drunken 16-year-old girl in Steubenville, Ohio, was raped after a raucous party by two high school football players not much older than she. Like Théodore Géricault grappling with the scandalous news stories of government malfeasance in the deadly shipwreck of the Medusa in 19th century France, Bowers' art has often merged piercing insight about current events with social activism. She continues that fusion here, to impressive effect. (Christopher Knight) (Ends Sunday, April 13) Read more
Pablo Bronstein's installation at REDCAT is a comically oversize living room. But unlike many architecturally inspired works, it isn't empty. A single performer, clad in a loose white blouse and black tights, maneuvers throughout the space from 3 to 6 p.m. daily. It's a startling, and quite beautiful, intervention that draws intriguing parallels between bodily movement and furniture design. (Sharon Mizota) (Ends Saturday, March 15) Read more
Calder and Abstraction
If you like Albert Einstein's general theory of relativity, you'll love the sculpture of Alexander Calder. And vice versa. As an artist Calder certainly wasn't in the business of illustrating difficult scientific postulates. (Born on the cusp of the 20th century, he died at 78 in 1976.) In fact, one frequent knock on him was the claim that, while charmingly whimsical, his sculpture is physically, emotionally and intellectually lightweight. After all, this is the guy who built an entire miniature circus out of cardboard, some buttons and a bunch of twisted wire. (Christopher Knight) (Ends Sunday, July 27) Read more
'John Divola: As Far As I Could Get'
Principally organized by the Santa Barbara Museum of Art, this show is a collaborative endeavor with the Pomona College Museum of Art in Claremont and LACMA. Because of the trifurcation, few will see the entire show. And those who do will be deprived of some fundamental benefits of a museum retrospective. That's a shame. The good news is that, even seen in disordered chunks, Divola's photographs can provide immensely satisfying rewards. (Christopher Knight) (Emds Sunday, July 6) Read more
Peter Fischli and David Weiss
What lies before us appears self-evident: clustered arrangements of studio debris. The installation is, however, a trompe l'oeil still-life. Everything, down to the strewn peanut shells, is carved from dense, rigid foam and painted.The work feels refreshingly earnest, born of curiosity, reverence and abundant good humor (Leah Ollman) (Ends Saturday, April 12) Read more
Insubordination pours forth in torrents from this electrifying exhibition, a no-holds-barred carnival of optical kinetics, whiplash spatial shifts and head-spinning highjinks that explain why some see Porray as one of the best of his generation (David Pagel) (Ends Saturday, March 22) Read more
Rembrandt at the Getty
When is a portrait not a portrait? (Or, to be more precise, not exactly a portrait?) The answer: When it's a tronie, the theatrical 17th century Dutch invention in which artists weren't after a specific person's likeness but, instead, examined facial expressions as characteristic types of human emotion. Rembrandt van Rijn was good at it. When he was young and starting out, he looked into a mirror and used his own face to produce a tronie of laughter — and the result is now on view in the Getty's permanent collection galleries as the museum's newest acquisition. (Christopher Knight) Read more
James Turrell: A Retrospective
Light, the essential ingredient for sight, is Turrell's principal medium. Spiritual perception is his art's aim. The ancient metaphor of light as the engine of enlightenment is conjured in a modern way. (Christopher Knight) (Through April 6) Read more
The Wallis Annenberg Center for the Performing Arts
The new Wallis Annenberg Center for the Performing Arts in Beverly Hills, designed by Zoltan Pali and the firm Studio Pali Fekete, is a work of architecture that arrives with a long list of storylines attached. In mixing historic preservation with unapologetically contemporary architecture, the $75-million complex, known as "The Wallis," marks a step forward for Beverly Hills, a city that has not always treated its aging landmarks thoughtfully. It's a clear example of how tricky it can be in Southern California to design a new building that's architecturally sympathetic to its neighbors. (Christopher Hawthorne) Read more
‘The Days of Anna Madrigal’
The first time Armistead Maupin ended his “Tales of the City” serial — in 1989, with his sixth novel, “Sure of You” — he did it with a departure. Mary Ann Singleton, who had initiated the series by calling her mother in Cleveland to say she was staying in San Francisco, took a network TV job and left the Bay Area for New York. It was a sad if not unexpected outcome. In the 15 years since Maupin had first started writing about Mary Ann, her friends Michael, Mona, Brian and their irrepressible landlady, Anna Madrigal, a lot had happened: Anita Bryant, the People’s Temple, AIDS. Maupin was ready to move on. It was nearly two decades before he returned to these characters, first with the 2007 novel “Michael Tolliver Lives” and then with the follow-up, “Mary Ann in Autumn,” in 2010. What makes “Tales of the City” so resonant is Maupin’s ability to draw broad, human lessons from the particularity of his characters’ lives. This is why it has struck such a chord for close to 40 years now: adapted into three miniseries and an opera, the source of “Tales”-related San Francisco tours. Now, Maupin has chosen to end the series again with “The Days of Anna Madrigal,” a work that is less about departure than coming home. Featuring the full complement of “Tales” regulars (with the exception of Mona, who died in the 1984 novel “Babycakes”), the book is an elegy — for San Francisco, for its characters, for a way of life. Read more
T.C. Boyle's "Stories II" gathers all the short fiction he has published in the past 15 years — 58 stories, including 14 that have never appeared in book form. This is no mere collection, in other words, but an edifice intended, not unlike its equally massive predecessor "Stories" (1998), to define a legacy. To some extent, that's a sign of Boyle growing older; he will turn 65 in December. Death, or the threat of death, is all over these stories — or more accurately, a sense of mortality, of time zeroing in. But even more, it's a signifier that here, he is holding nothing back. In "Stories II" we stare down 15 years of fiction, and how does it add up? "All part of the questing impulse," Boyle suggests, "that has pushed me forward into territory I could never had dreamed of when I first set out to write — that is, to understand that there are no limits and everything that exists or existed or might exist in some other time or reality is fair game for exploration." Read more
When news emerged three years ago that filmmaker Shane Salerno and writer David Shields were working on an oral biography (with accompanying documentary) about J.D. Salinger, I assumed it would be all smoke and no fire. Salinger, after all, had gone to ground after the publication of his novella “Hapworth 16, 1924” in June 1965; even in the wake of his death, in January 2010 at age 91, his estate had preserved the silence of his final 45 years. But if Salerno and Shields' book “Salinger” is, at nearly 700 pages, a bit of a shaggy monster, what may be most astonishing about it is its (largely) even tone. The idea is to present a portrait of Salinger as both his own savior and something considerably darker, and for the most part, the co-authors get the goods. Read more
Optic Nerve 13
Adrian Tomine's Optic Nerve is one of my favorite alternative comics: smart, understated and with a subtle yet pointed bite. Merging straight realism with an impressionistic sense of narrative, his stories often seem to be offhanded when, in fact, they are highly structured and defined. As an example, look at "Winter 2012," one of three pieces in the newly released Optic Nerve 13, a one-pager, told by way of 20 small panels, in which Tomine portrays himself as a Luddite, distressed by the indignities of the electronic age. Optic Nerve 13's other stories include a long central piece, "Go Owls," in which a woman meets an older man in a 12-step program and winds up in a relationship that becomes increasingly abusive and fraught, and the exquisite "Translated, From the Japanese," a love letter from a mother to her baby that is among the most beautiful things Tomine has ever done. Read more
'Never Built Los Angeles'
When, in the 1920s, the pioneering Southern California social critic Louis Adamic called Los Angeles "the enormous village," he didn't mean it as a compliment. Rather, he was referring to L.A.'s insularity, its status as what Richard Meltzer would later label "the biggest HICK Town (per se) in all the hick land," a city of small-town values and narrow vision that "grew up suddenly, planlessly." A similar sensibility underpins "Never Built Los Angeles," a compendium of more than 100 architectural projects — master plans, skyscrapers, transportation hubs, parks and river walks — that never made it off the ground. Edited by former Los Angeles magazine architecture critic Greg Goldin and Sam Lubell, West Coast editor of the Architect's Newspaper, and accompanied by an exhibition at the Architecture and Design Museum, it's a lavish counter-history of the city as it might have been: a literal L.A. of the mind. Read more
'The Wet and the Dry: A Drinker's Journey'
"He who makes a beast of himself," Samuel Johnson famously observed about inebriation, "gets rid of the pain of being a man." And yet, if Lawrence Osborne's new book, "The Wet and the Dry: A Drinker's Journey," has anything to tell us, it's that there is more to drinking than derangement, that it may lead to a transcendence more profound. "The Wet and the Dry" is a paean to drinking, but it is also a travelogue unfolding largely through the Islamic states of the Middle East and a memoir of sorts, in which Osborne's upbringing, in "a steadfast English suburb" during the 1970s, becomes a lens through which to read his life. "The drinker knows that life is not mental and not a matter of control and demarcation," he argues. "The teetotaler, on the other hand, knows full well how even a molecule of alcohol changes body and mind. The Muslim, the Protestant puritan, and the teetotaler are kin; they understand the world in a very similar way, despite all their enormous differences, while the drinkers know that the parameters that contain us are not all human, let alone divine." Read more
'Men in Miami Hotels'
Charlie Smith's terrific new novel, "Men in Miami Hotels," walks a line between genre and something considerably wilder, a fictional territory where a character might lose his or her soul. The story of a Miami hoodlum named Cotland Sims, on the run from a brutal mob boss, it is both existential thriller and a book of homecoming, as Cot returns to Key West, where he was born and raised, to confront the living ghosts of his past. These include his on-again-off-again girlfriend Marcella and her husband Ordell (the county prosecutor), as well as his mother and his oldest friend from high school, a drag queen named CJ. To this mix, Smith adds an army of hired killers out to wreak vengeance on Cot, although their violence, while pervasive, ends up seeming almost incidental. Read more
'Return to Oakpine'
Ron Carlson's new novel "Return to Oakpine" revolves around a group of high school friends 30 years after graduation, in the small Wyoming town where they were raised. The book begins with a simple errand: A man named Craig Ralston is called upon to refurbish a garage apartment for his old compatriot Jimmy Brand, who is coming home to die. The year is 1999 and Jimmy is nearing 50, a writer who left home after high school, in the wake of a family tragedy. And yet, Carlson wants us to understand, we never escape the past, not even a little bit of it. In a town such as Oakpine, that can't help but bleed into the present, reminding us of old hurts, old longings, of who we were and who we never will become. This is the tension that drives "Return to Oakpine," between what we want to do and what we need to do, between our dreams and our responsibilities. Or, as Carlson observes late in this elegant and moving novel, "There was a vague lump in his throat that he had thought was excitement but now felt like an urgent sadness; actually it felt like both." Read more
Steven T. Seagle and Teddy Kristiansen’s haunting graphic novel “Genius” revolves around a physicist named Ted who was once a prodigy, before his priorities became realigned. Ted has two kids, and a wife who may be dying; do we need to say that he feels trapped, that his pressures have become too much for him? Still, Ted has one saving grace, which is his love for Einstein, who holds a place in his life akin to God. “I mean, I’m an atheist —” Ted explains, “most thinking people are — But Einstein is the pinnacle of a thinking man.” As “Genius” progresses, this relationship becomes increasingly prominent, until Einstein himself is animated in these pages, discussing the nature of the universe, the nature of discovery, and the essential notion that our lives are always in constant evolution, just waiting for that one idea, that one revelation, for everything to “start anew.” Read more
'The Faraway Nearby'
Rebecca Solnit's latest book, "The Faraway Nearby," began with a delivery of 100 pounds of apricots to her San Francisco home. The apricots came from her brother, who had collected them from a tree in their mother's yard. At the time, the older woman was in the throes of Alzheimer's; she had been moved into an assisted care facility, making the fruit a metaphor, an allegory, for everything that she had lost. First and foremost, this meant stories, which are at the center of "The Faraway Nearby," a book about narrative and empathy that moves between a dizzying array of tales — including "Frankenstein," the Arabian Nights and that of Solnit's own breast cancer scare — to look at the way stories bind us, allowing us to inhabit each other's lives with unexpected depth. Read more
Joe Ollmann's graphic novel “Science Fiction” is a minutely observed account of a relationship in crisis, from which there is (or might be) no way out. The setup is simple: Mark, a high school science teacher, and his girlfriend Susan, who works in a convenience store, rent an alien abduction movie that triggers what Mark decides are repressed memories of his own abduction years before. If this is difficult for Mark, it’s even harder for Susan because she can’t believe what he is telling her. Here we see the central conflict of “Science Fiction”: What happens when a loved one goes through an experience that is, in every way that matters, life-changing, and yet, we can’t go along for the ride? Read more
What makes Stephen King resonate for me is the way he can get inside the most mundane of situations and animate it, revealing in the process something of how we live. His new novel, "Joyland," operates very much from this territory: It's a drama that unfolds in miniature. The story of a college student named Devin Jones who spends the summer and fall of 1973 working at a North Carolina amusement park, "Joyland" is a thriller but it's also a homage to the disposable culture of the early 1970s, a time when "oil sold for eleven dollars a barrel." What King is getting at is what he's always getting at, that life is inexplicable, that joy and sorrow, triumph and tragedy, are all bound up and can assert themselves at any time. Read more
Richard Lange's third book, "Angel Baby," is a thriller that makes its own terms. Beautifully paced, deftly written, it's a novel of moral compromise, in which we have empathy for everyone (or almost everyone) and no one at once. The story of Luz, who runs away from her husband, a Mexican drug cartel leader, and heads for Los Angeles, "Angel Baby" takes us into uncomfortable territory -- only partly because of its brutality. Rather, Lange effectively upends our sympathies by drawing us close to not just Luz but also Jerónimo, the reluctant enforcer sent to find her, as well as Malone, a San Diego County burnout who makes his money ferrying illegals across the border, and Thacker, a corrupt border cop. Read more
Donkey Kong Country: Tropical Freeze
For the last three decades, one of the video game world’s greatest antiheroes has been a barrel-throwing ape. He’s arrogant, ornery and not nearly as dexterous as he thinks he is. A kidnapper whose jungles were construction sites, he’d steal your girlfriend and trap her atop a skeletal steel structure. But as males-behaving-badly became a pop-culture norm — and an unfortunate requirement of most video games — Donkey Kong softened up. The once attention-desperate gorilla shed his hostage-taking ways and settled into a more healthful lifestyle with the launch of “Donkey Kong Country” in 1994. Now five iterations of the game later, he’s morphed into a rather lovable grump who just wants to enjoy a slice of cake with a frosted banana on top in peace. “Donkey Kong Country: Tropical Freeze,” released last weekend for Nintendo’s home console the Wii U, finds the king of the jungle continuing the makeover from villain to reluctant hero. Arctic creatures are invading the lush isles he calls home, and Kong wants the polar beasts off his lawn. Read more
Video game critic
PlayStation 4 / Xbox One
The next-gen video game consoles are here, and so far the games look an awful lot like the ones from the generation coming to an end. But the presentation of the consoles — the arguments they put forth about how games can and should be integrated into our lives — varies greatly. Sony's PS4 takes a targeted approach by emphasizing games and the places players go to talk about those games. Microsoft's Xbox One has broader, non-gaming ambitions, relying heavily on voice controls (look ma, no remote!) to have viewers magically shifting among television, film, music and sports apps. Read more
'The Legend of Zelda: A Link Between Worlds'
Another long-standing Nintendo franchise gets spruced up. Like "Mario 3D," the look and controls are familiar, the tone is entirely new, as this action-adventure emphasizes smarts and exploration over tedious dungeon crawling. Read more
'Super Mario 3D World'
Nintendo's Italian brothers Mario and Luigi are the closest thing the video game world has to a Mickey and Minnie, and this Wii U-exclusive may be the freshest spin yet on a trustworthy gaming tradition. The secret? Cats. Mario and pals shape-shift into felines with the help of a little video game magic, allowing the characters to crawl, scratch, climb and meow in completely unexpected ways. Trust us. Read more
"Rain," Sony's download-only PlayStation 3 title, plays with an idea central to many fairy tales. What monsters come out to play when the lights are turned off? But ultimately, it ends up dealing with a far darker question — is there any monster quite so scary as loneliness? With such an emphasis on text and narration, this could be considered an interactive book more than a game but is, instead, a moderately paced exploration through a fantastically realized nighttime setting, where narrowly escaping the clutches of pursuers rewards players with more pieces of the narrative rather than larger battles. Read more
"Spaceteam" is high-stress nonsense, but high-stress nonsense at its most absurd, addictive and ridiculous. Available now for iOS and Android, think of "Spaceteam" as a board game for mobile devices. The concept is simple, as players are crew members on a ship that's in danger of exploding and must shout technobabble at one another to prevent destruction. But each has a different view, so one player's Voltsock is another player's Newtonian Photomist. Read more
"Gone Home," out now as a PC download, will likely feel more personal than any game you'll play this year. Players explore it from the first-person perspective of a college-aged daughter, Katie, who has been studying abroad and is visiting her family's new home for the first time. Traverse just one house and discover untold secrets about a family, be it struggles with failed ambitions or the teenage unease that comes with discovering one's sexuality. Read more
'The Legend of Zelda: The Wind Waker HD'
A remake of an old Gamecube title is not the Zelda game Wii U fans have been clamoring for, but Nintendo has freshened up "Wind Waker" to the point that it feels a new experience. This early 2000s Zelda title still stands as one of the franchise's crowning moments, as it set its main character loose on the high seas and gave the universe a zippy, cartoonish makeover. The animated film look works even better in HD, and the subtle adoption of new control techniques offered by the Wii U makes it one of the more accessible adventure role playing games around. Read more
'The Last of Us'
"The Last of Us" is not your typical doomsday narrative. Zombie-like attacks aside, tension here comes from an underutilized game-play tactic: conversation. Dialogue is almost as plentiful as weapons in this patiently cinematic tale of a smuggler and the reluctant bond he forms with the 14-year-old girl he's hired to protect. Developed by Sony-owned Naughty Dog, responsible for the hit "Indiana Jones"-inspired "Uncharted" series, "The Last of Us" acknowledges gaming clichés and then skillfully avoids them by keeping its focus on the relationship between Joel (the smuggler) and Ellie (the teen he watches over). It's an action game, but one with characters worth fighting for. Read more
‘The Dark Sorcerer’
A short film and not a game, but one designed to show what next-gen console the PS4 may be capable of. Quanitic Dream, the Paris-based developer working on the patient narrative "Beyond Two Souls," concocted this fantasy-comedy as a way to illustrate that character depth and detail can be sustained over long scenes filled with gameplay. But forget the technical stuff — it's a cute little video about a film shoot gone wrong, with goblins. Though there are no plans to turn "The Dark Sorcerer" into a game, director David Cage said fan response may inspire him to change his mind. Read more
'Mario and Donkey Kong: Minis on the Move'
The minis are diminutive, wind-up figurines that represent well-known Nintendo characters. They walk forward, they don't stop and it's up to the player to control and tinker with the cubic paths in front of them. That about covers the basics, but not the details. Every couple of puzzles a new element is added, be it cubes that rotate, bombs that can blow up cubes, cubes that come equipped with springs that will send the characters flying over spikes, cubes with hammers or cubes that can generate all-purpose, multi-use cubes. With 240 stages, there are a lot cubes. Read more
Games are wonderful at creating crazy, colorful universes full of whip-cracking vampire killers and interstellar space pirates, but they are less good at crafting ones inspired by more earth-bound cultural traditions. "Guacamelee!” is an exception. Perhaps not since LucasArts’ 1998 “Day of the Dead” noir title “Grim Fandango” has a game so lovingly draped itself in Mexican folklore. "Guacamelee!” is a colorfully humorous game centered almost entirely on the customs surrounding Day of the Dead. It’s a simple stylistic conceit that seems so obvious that it’s almost confusing it hasn’t been done with any regularity. Who needs zombies and vampires when there’s an entire holiday steeped in calavera imagery? Read more
Dries Van Noten: ‘Inspirations’
“I feel a bit like a spoiled child with all these beautiful things around me,” says Belgian designer Dries Van Noten, giving a tour of the spectacular new exhibition chronicling his nearly 30-year career, which opens Saturday at the Musée des Arts Décoratifs in Paris. He’s referring to the wealth of artworks from the Renaissance to the present day on view as part of “Dries Van Noten: Inspirations.” The show is a tour of his creative mind, placing his runway collections in context of his many cultural reference points. In the galleries, works by Yves Klein, Francis Bacon, Elizabeth Peyton and more are shown alongside vintage fashions ranging from Christian Dior’s famous 1947 New Look, to a funky 1967 jacket that belonged to Jimi Hendrix. (In the run up to the exhibition, Van Noten found the flowery jacket that inspired one of his men’s wear collections for sale on EBay and was able to score it with the help of a generous donor.) The romance of dance partners Ginger Rogers and Fred Astaire seen in a clip from the 1935 film “Top Hat” was the starting point for the swaying ostrich feather dresses in the fall 2013 collection, and lightscapes by British photographer James Reeves inspired city lights prints in the spring 2012 collection. (Ends Sun., Aug. 31) Read more
'Journey of a Dress'
Diane von Furstenberg's wrap-dress army is a force to be reckoned with in the 20,000-square-foot gallery of the historic May Co. department store building in Los Angeles, where her "Journey of a Dress" exhibition opens Saturday with 200 vintage and contemporary interpretations of the iconic design. There they are, 200 mannequins strong, standing in formation and ready to conquer the world. And conquer the world is exactly what this dress did. The show, which was put together for the 40th anniversary of Von Furstenberg's brand, celebrates her singular contribution to fashion history: the wrap dress, which is on par with the T-shirt and blue jeans when it comes to its cultural impact. The dress — which wraps in front and ties at the waist and was originally made in drip-dry, cotton jersey — became part of the zeitgeist of the 1970s, when women started to enter the workforce en masse, a symbol not only of women's liberation but of sexual liberation, too. (Ends Thursday, May 1) Read more
Tory Burch celebrated the opening of her Rodeo Drive boutique with a star-studded party Jan. 21 and the release of the limited edition Rodeo Drive collection inspired by the flowers of Southern California and the glamour of Old Hollywood. The capsule collection includes resort-ready pieces embellished with coral flowers and embroidery, including the gladiator sandals above and the caftan-style dress. The capsule collection includes resort-ready pieces embellished with coral flowers and embroidery, including the gladiator sandals above and the caftan-style dress and flower-drop earrings Burch is wearing. There are also several styles in guipere lace, such as the shorts above. L.A. style maven and artist Lisa Eisner shot a dreamy short film featuring the collection in the gardens at Lotusland near Santa Barbara. You can see it here. Burch's website includes several other L.A.-centric editorial features geared to the opening, including Kaling, Hailee Steinfeld and other celebs discussing why they love L.A. Read more
10 Fashionable Things
As we all try to get back into the swing of work after the holidays, here are 10 stylish things on my to-do list for the next few months. 1) Celebrate the dress that started it all. 2014 marks the 40th anniversary of Diane von Furstenberg's iconic wrap dress, which will be celebrated with "Journey of a Dress" on Jan. 11 to April 1 at the Wilshire May Co. building in Los Angeles, a retrospective exhibition of vintage and contemporary wrap designs — from the first sample to what has become a symbol of power and freedom for generations of women. 2) Pick up some cold-weather style inspiration... Read more
The coolest store now open in downtown L.A. is called Acne Studios. That's right. Get over it. If you don't know, Acne (an acronym for Ambition to Create Novel Expression) was founded in 1996 in Stockholm by musician-turned-fashion designer Jonny Johansson. In seven years, it has grown into a $120-million brand with 40 stores around the world, men's and women's fashion collections, runway shows in Paris, as well as a publishing wing that has collaborated on projects with the likes of photographers Lord Snowden and William Wegman. Which is why when you walk into the new 5,000-square-foot boutique in the historic Art Deco Eastern Columbia Building on Broadway, it's appropriate that you first lay eyes on "Giant Triple Mushroom," a trippy toadstool of an installation by Belgian artist Carsten Holler that seems to symbolize the curious rise of a brand that is known for doing things differently. Read more
Standout Books on American Design
Several new style books focus on great American jewelry design. Here we zero in on two of the standout volumes of the season. 'David Webb: The Quintessential American Jeweler' and 'Jewels by JAR' have an eye for the dazzling. "David Webb: The Quintessential American Jeweler" American jewelry designer David Webb was a fixture on New York's social scene during the 1960s and '70s, beloved by Diana Vreeland, Nan Kempner, Doris Duke, Elizabeth Taylor, Barbra Streisand and many other style-setters. Webb is perhaps best known for his animal bracelets, more fierce than cute, featuring lions, tigers and dragons, which were part of the ladies-who-lunch uniform of the day. "Jewels by JAR," the catalog for the exhibition of the same name that runs through March 9 at the Metropolitan Museum of Art in New York, is a jewel of a book with 69 photographs of incredible pieces by Joel Arthur Rosenthal, today's preeminent American jewelry designer, who has been working in Paris since the late 1970s for a small group of in-the-know clientele. Designing under his initials, JAR, Rosenthal creates works of art using colorful gemstones, pearls and other materials such as beetle wings. Each piece is unique and "set in metals that are sometimes subject to a degree of alchemy," art dealer Adrian Sassoon writes in the introductory essay. Read more
Isabel and Ruben Toledo
Ignored by mainstream fashion designers for years, the plus-size market got a boost with the announcement that Isabel and Ruben Toledo would be designing a collection for size 14-plus retailer Lane Bryant. Isabel Toledo famously made the lemongrass yellow coat and dress that First Lady Michelle Obama wore to President Obama's first inauguration in 2009. Speaking about the collaboration with Lane Bryant, Isabel Toledo told Women's Wear Daily that she and her husband "were intellectually on board from the first moment." That statement to me is key. The excuse so many designers use for ignoring the plus-size market, and showing their clothes on increasingly skinny models, is that clothes just look better on bodies resembling bony hangers. But any designer worth his or her salt should look at designing for a different size or shape as an intellectual challenge. Read more
"Bohemian isn't a trend; it's a lifestyle." That's the motto upon which L.A. designer Cynthia Vincent has staked her decade-old brand, Twelfth Street, named after the street she grew up on in La Verne. The brand is known for its tribal print maxi-dresses and rompers, serape-stripe cardigans, rugged short Western boots and gladiator wedge sandals, all with a multi-culti, beach-and-canyon vibe. In a city where designers can come and go in a few seasons, Vincent is a fashion success story. She attended L.A.'s Otis Art Institute of Parsons School of Design, winning the Silver Thimble Award while she was there. In 1993, she started her first line, St. Vincent. She also opened a retail store, Aero & Co. in Los Feliz, to feature local independent designers. Read more
Designer Natalie Martin has mastered the art of gypset dressing, L.A.-style. In two years, the Aussie transplant has emerged as a go-to for boho-chic styles, including breezy kurtas, tunics, wrap skirts and maxi dresses, all priced under $300, and all crafted out of colorful, Balinese block print silks. Martin has a background in fashion marketing, putting in years at Italian leather goods brands Tod's and Hogan. Her namesake collection, which is sold at Barneys New York, Calypso St. Barth and other boutiques, as well and on her own website, brings a touch of Bali to L.A. Read more
Charlotte Olympia opens in Beverly Hills
London-based accessories designer extraordinaire Charlotte Dellal has opened her first L.A. Charlotte Olympia store, a glamorous, Art Deco-feeling boutique at the top of Rodeo Drive in Beverly Hills. The decor is an ode to Old Hollywood glamour from the moment you step inside the door, where Dellal (who has the curves and finger-wave blond hairstyle of a 1940s starlet herself) has her own pink marble Hollywood Walk of Fame star set into the ground, with "Charlotte Olympia" etched inside. "It's celebrating Los Angeles from an outsider's point of view," said Dellal, who launched her whimsical line in 2006. "I guess it's not all about Hollywood and film, but I'm a nostalgic person and I have always loved Old Hollywood." Read more
Malibu Barbie gets a makeover
With her beach blond hair, cheeky tan lines and chic shades, Malibu Barbie has been a style icon for many a young girl, including this one. Now, more than 40 years after she first hit the pop culture wave, Malibu Barbie is getting a makeover, from Los Angeles designer Trina Turk. The mythical Malibu icon is the perfect canvas for Turk’s cheerful 1960s and '70s-inspired SoCal aesthetic. Turk dresses the doll in a printed bandeau bikini and hexagon white lace cover-up and accessorizes her head-to-toe with a beach tote, pink shades, short-shorts, a peasant blouse, floppy sun hat and white wedge sandals. She’s even got a chunky cocktail ring, pink cuff bracelet and a bottle of sunscreen. To add to the fun, Turk’s June 2013 fashion collection, titled “Malibu Summer,” features the same items for women, so life-size Barbies can dress like their miniature muses. Read more
2013 marks 30 years that L.A.-based designer Tadashi Shoji has been making elegant formal wear for the rest of us. He got his start in the glitzy world of Hollywood, creating costumes for Stevie Wonder and Elton John, and more elaborate gowns for the red carpet for Florence Welch and Octavia Spencer. But the bulk of Shoji's $50-million namesake business is in department store sales of tasteful, figure-flattering and wallet-friendly cocktail dresses and evening gowns ranging in price from $198 to $508 for women who want to feel like celebrities in their own lives -- prom queens, mothers of the bride and the brides themselves. I recently sat down with the designer to discuss his favorite career moments, his new focus on selling in Asia, and what's next.n with the designer to discuss his favorite career moments, his new focus on selling in Asia, and what’s next. Read more
In just seven years, Paige Mycoskie has turned a passion for 1970s nostalgia into the next California lifestyle brand. Walking into her Aviator Nation store on Abbot Kinney in Venice is like stumbling into a frat house with a feminine influence. Steely Dan, Doors and Grateful Dead album covers and vintage skate decks nailed to the walls, a record player spinning Aerosmith's "Sweet Emotion," a 720 Degrees arcade game in the corner, stacks and stacks of foam trucker hats, T-shirts and hoodies spreading good vibes like "Pray for Surf" and "California Is for Lovers."... It's such a sensory experience, you half expect your shoes to be sticking to the floor from last night's kegger. Read more